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20810254 History of World Cinema
Course Information
Description
History of World Cinema examines the history of the film medium, primarily as an art form but also as a form of communication, in the United States and internationally from its origin in the 1800s to the present, highlighting significant movements in its development. Students view domestic and foreign films as a basis for study.
Total Credits
3

Course Competencies
  1. Analyze how specific historical conditions shaped the development of world cinema
    Assessment Strategies
    Completing assigned readings, screenings, and structured discussion activities
    Meeting instructor’s criteria on quizzes, exams, and written assignments tied to course films
    Criteria
    Connect specific historical conditions to specific films viewed in class
    Identify how production centers emerge using concrete film or industry examples
    Support claims with details drawn from course readings and screenings (not general summaries)

  2. Analyze how technological developments influenced the form and production of films studied in the course
    Assessment Strategies
    Completing readings, screenings, and guided analysis activities
    Meeting instructor’s criteria on quizzes, exams, and written assignments
    Criteria
    Identify relevant technologies through analysis of assigned films (visual or formal evidence)
    Explain how technologies shape what is visible or possible on screen
    Reference specific scenes or moments to support technological claims

  3. Analyze major film movements through close study of films screened in the course
    Assessment Strategies
    Completing screenings and participating in guided discussions and applied exercises
    Meeting instructor’s criteria on written analyses and exams
    Criteria
    Identify movement traits using evidence from assigned films
    Connect formal elements (lighting, editing, narrative) to movement characteristics
    Avoid generic definitions and instead ground analysis in film-specific observations

  4. Apply film terminology accurately in the analysis of assigned films
    Assessment Strategies
    Completing readings and participating in applied analysis exercises
    Meeting instructor’s criteria on written work and exams
    Criteria
    Use terminology to describe specific visual and narrative elements
    Apply terms correctly in context rather than listing definitions
    Connect terminology directly to moments from assigned films

  5. Analyze the work of major filmmakers through evidence-based interpretation of their films
    Assessment Strategies
    Completing screenings and engaging in discussion and written analysis
    Meeting instructor’s criteria on essays, exams, and projects
    Criteria
    Support claims about filmmakers with specific films and scenes
    Apply auteur concepts cautiously and with evidence
    Distinguish between stylistic pattern and isolated example

  6. Evaluate the aesthetic qualities of films using detailed observation and comparison
    Assessment Strategies
    Participating in guided viewing activities and structured discussions
    Criteria
    Describe aesthetic elements based on direct observation (image, sound, editing)
    Compare films shown in class using concrete examples
    Avoid vague judgments and instead explain why a film creates a specific effect

  7. Analyze cross-cultural influences in world cinema using historically grounded film examples
    Assessment Strategies
    Completing readings, screenings, and comparative analysis activities
    Meeting instructor’s criteria on written assignments and exams
    Criteria
    Identify cross-cultural influence using paired or contrasting films from the course
    Explain differences in form or theme across cultural contexts
    Support comparisons with specific film evidence rather than general claims

  8. Analyze genre and audience reception through historically situated film examples
    Assessment Strategies
    Completing readings, screenings, and applied discussion activities
    Meeting instructor’s criteria on exams and written assignments
    Criteria
    Identify genre conventions through analysis of assigned films
    Explain how those conventions shift across time or region using course examples
    Connect film form to audience expectations using historically grounded reasoning

  9. Construct written analyses that interpret films within their historical and cinematic context
    Assessment Strategies
    Completing structured writing assignments and in-class or timed analysis exercises
    Meeting instructor’s criteria on essays and written responses
    Criteria
    Develop arguments based on specific films viewed in the course
    Support claims with scene-based evidence (not plot summary)
    Integrate historical context without replacing film analysis

  10. Demonstrate global awareness through the analysis of films from diverse cultural, political, and social contexts
    Assessment Strategies
    Completing assigned screenings, readings, and comparative analysis activities
    Meeting instructor’s criteria on written assignments, discussions, and exams
    Criteria
    Analyze films from multiple countries using specific examples from course screenings
    Explain how cultural values and perspectives shape film form and narrative
    Demonstrate awareness of perspectives different from your own through historically grounded interpretation
    Avoid generalized assumptions by supporting claims with film-specific evidence

  11. Apply creative decision-making in film-related projects such as screenwriting, cinematography, and editing
    Assessment Strategies
    Completing creative projects (e.g., short scripts, visual exercises, editing assignments)
    Meeting instructor’s criteria on production work and reflective statements
    Criteria
    Demonstrate intentional creative choices in narrative, visual, or editing decisions
    Apply techniques discussed in class to your own creative work
    Explain your creative decisions using appropriate film terminology
    Reflect on how your work is informed by films, styles, or movements studied in the course